I'm republishing today a longer version of an interview I recently did for Dazed Digital with photographer Nicol Vizioli.
Caravaggio imbued his paintings with an appealing poetic reality using contrasts of shade and light. Photographer Nicol Vizioli somehow manages to do the same in her images that mix tenebrism, realism and fantasy in dramatic and evocative representations. Vizioli employs chiaroscuro techniques to create her mythically pagan or magically mystic compositions in which the human and animal world go back to an ancestral time.
Born in Rome where she studied Cinema & Digital Arts, Vizioli started working as a painter while completing her MA in Fashion Photography at London College of Fashion.
The photographer - who also worked on the lookbooks of some emerging fashion designers, creating unique installations combining fashion and photography - will be presenting her “Shadows on Parade” series of portraits at an exhibition opening tomorrow at London's Arts Gallery.
In this fantastical series of portraits, moving from different inspirations including ancient books, found photographs and writings, and the Italian baroque, Vizioli analyses through her mysterious creatures and characters populating dark landscapes, themes such as unsatisfied desires, waits and redemption, creating movement across the images with her contrapposto treatment of light.
How many images are included in this exhibition and where does the title of the exhibition come from?
Nicol Vizioli: In this exhibition there will be 16 images, 13 of which are part of “Shadows on Parade”, a series of portraits from which the title of the show comes from. It has been an important project for me, completed a few months ago. The three new pieces are somehow a closure of that series and the beginning of the next one.
When did you first become fascinated with photography?
Nicol Vizioli: As far as I can remember I have always created images, starting with painting which is my first love, since I was a child. My father is a photographer, and one day he gave me an old camera to play with.
What inspires your images and how would you describe them?
Nicol Vizioli: Every photograph is the end of a journey which always starts far away, inside and outside me. My work comes from different places, as well as most of my inspirations. I get obsessed quite easily with several things, and they costantly change. But, at the same time, I have to admit that all those things can be traced back to the same place – that is the animal and the natural world, the human body and the vulnerability of the flesh.
Some of your images, like the Madonna one (first image in this feature), look like a modern twist on the sacred images of the Virgin Mary we have in certain churches in Italy, do you feel that your background somehow inspires your vision and your work?
Nicol Vizioli: I guess it is quite inevitable, it is where everything comes from and at the same time leads to. I grew up in Rome where you are constantly surrounded by immense, ancient beauty, the austerity and the decadence, and everything seems to be stuck in time but still hits your eyes with the same magnitude. I think that kind of suspension - which I feel I will always belong to - intrigues me the most.
Most of your photographs have got an eerie quality about them, a sort of unsettling beauty that makes me think about Burke's sublime - in a nutshell, as a viewer you're attracted, but scared at the same time - is this what you were trying to achieve?
Nicol Vizioli: I never really thought about it in that way. The main thing I have been aiming to achieve is a faithful representation of my inner vision. My imagery is populated by certain characters, stories and memories and I try to use photography to disclose and reveal them. In that unrepeatable instant in which a door opens and our experience is transformed, I guess you can find various things and emotions, such as attraction, fear, horror and silence.
Nicol Vizioli’s "Shadows on Parade" is at the Arts Gallery, University of the Arts London, from 17th May to 29th June 2012.
All images courtesy of Nicol Vizioli
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Gorgeous! Like the way they pose!
Posted by: Employment Posters | May 16, 2012 at 09:38 AM